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Ini Edo has issued a detailed response to the Christian Association of Nigeria (CAN), following its condemnation of her film’s title ‘A Very Dirty Christmas’.
CAN had earlier described the title as “offensive and a mockery” of the Christian faith, sparking widespread public debate.
The association also called upon the National Film and Video Censors Board (NFVCB) to provide clarity on how such a title was approved for public release, especially during the festive season.
In a statement shared on Instagram on Thursday, the actress defended the creative choice, stating that the core purpose of art is to provoke thought, ignite conversation, and examine the multifaceted nature of human life.
Edo clarified that the production fully complied with all Nigerian regulations, having secured the necessary approvals from both the NFVCB and the Nigerian Copyright Commission (NCC) prior to release.
“As a devout Christian, my faith guides my values and life. I would never knowingly create or be associated with any work that misrepresents or disrespects my religion or the essence of Christmas,” she said.
The filmmaker explained that the title is metaphorical, designed to reflect the film’s exploration of thematic contrasts inherent in the holiday season — the tension between appearance and reality, joy and struggle, and virtue against human imperfection.
Edo expressed regret that CAN’s objections emerged only after the film’s public release, noting that earlier engagement could have paved the way for constructive dialogue and clearer understanding.
Edo concluded by advocating for ongoing respect and open conversation at the intersection of faith, culture, and creative expression in Nigeria.
The NFVCB confirmed on Thursday that it has initiated discussions with the film’s producers regarding a potential modification of the title.
The board clarified that the film underwent its standard censorship and classification procedure, with the committee evaluating the title within the full context of the movie’s narrative and themes.
The approval, it stated, was not an endorsement to trivialise Christian faith or Christmas, but was granted as an element of fictional creative expression.
